Tag Archives: HST

My Queen Block for Stash Bee

Hi, all!

This post was also posted over at the stash bee blog, but I’m posting it here in case any of you (hi, mom and Kate!) are reading and feel like sending me a block too!


Hey there, Hive 4!

I know I promised a no-measurement block in one of my Stash Bee posts, but then I saw this gorgeous block on Instagram and fell HARD.

Checker Block

Checker Block

The good part is that it’s super easy and not at all fussy, so should take you no time at all. I’ve broken down the cutting and piecing instructions into the diagrams below, which can also be downloaded as a one-page PDF.  You can also find a tutorial for this block on the Blossom Hearts blog.


I’ve been coveting a yellow-grey quilt for a while, and these gorgeous fat-eighth bundles that I treated myself to for my birthday this year were the perfect starting point.



For the HSTs, please use a dark yellow and light yellow; the difference in shade should be noticeable. The large and small HSTs don’t have to be made of the same fabrics, so if you want to raid your scrap bins, by all means do (Who doesn’t love a good scrap*? I know I do!), but try to keep the colours of the large HST and the small HST similar. If you can avoid using yellows that feature colours other than white, yellow, grey, or black, that would make me an extra-happy bunny, but don’t go buying fabric just to satisfy my whims—I’ll be a happy bunny either way.

For the sashing, please use a medium to dark grey, using the same fabric for all three pieces. If your grey is more of a medium, try to ensure that there is a discernible difference between it and the larger grey blocks.

For the larger grey blocks, please use a light grey. The two pieces can be of different fabrics, but try to keep them similar so they don’t draw the eye away from the centre of the block.

My only hard and fast request is no solids.


Cut one of each piece shown below.

Cutting instructions


For the HSTs, place the squares right sides together and draw a diagonal line from corner to corner. Sew a 1/4″ on either side of the line and then cut along the drawn line. Press the seams open and trim the HSTs to 4.5″ and 7″, respectively.


This will give you two sets of HSTs for each size – please just send the extras along with your finished block so I can make more blocks with them, or if you feel inclined to make a second block—they’re so fast and easy—I’m not going to say no ;).

Follow the diagram below to put the block together, paying attention to the direction of the HSTs. The dark/light sides should be on opposite sides of the block diagonal, in the order shown (that is, for the large HST, the darker value will be on top, and for the small HST, the darker value will be on the bottom–does that make sense?). Press seams open.


There are lots of ways to lay out these blocks for a quilt, but the order of the dark/light yellow is important because in all layouts, they keep the quilt balanced, either in terms of a potential pinwheel or even in the case of the third layout below.

Possible layout 1

Possible layout 1

Possible layout 2

Possible layout 2

Possible layout 3

Possible layout 3


I know that shipping to Europe is expensive, so feel free to fold up this sucker to fit in a standard envelope. I’ll press (yeah right. I’ll iron) it into submission on my end. Please don’t include any extras*–save your money to buy more fabric!

I can’t wait to see what you come up with—feel free to tag me on Instagram (@quiltingrainbows) with your progress shots or finished block, or drop me an email if you have any questions!

* Except, in case you’re looking to get rid of some small scraps, I’m planning an EPIC quilt for QuiltCon made up of about eleventy squillion 2.5″ squares. If you feel like throwing a scrap or two my way, I’d be incredibly grateful.

July Quilt Block for Stash Bee

This was a fun one! Although I’m loathe to admit it, this solids thing isn’t the absolute worst.

To put this block together, you cut seventeen 4.5″ squares in a range of white-grey-black and one 4.5″ square in a bright colour. Toss them all in a paper bag and randomly pull a pair and make an HST (line down the diagonal, sew 1/4″ on either side, cut, trim to 3.5″). Once all the squares have been turned into HSTs, set aside one of the coloured HSTs and another random one (they’re extras) and put the whole lot back in the bag. Pull a pair of HSTs out, sew it randomly together, and so on and so on, until you have a 4×4 block.

Random HSTs

Random HSTs

Kiwi says Hi!



I’ll talk a bit more about the frame in another post.

Tula Pink Saltwater Quilt

Saltwater quilt

Back in 2012, in the early days of my (decidedly one-sided) love affair with Tula Pink, I bought a fat-quarter set of the Saltwater fabric collection, which I promptly left to marinate for three years because it was too stressful to cut into. But when I got a half-square triangle die for my Accuquilt a few months ago I went to town with it.

Although I have issues with the accuracy of the Accuquilt, for which many helpful people on Instagram provided useful tips (which I appreciate but will not be following because (a) I am lazy and (b) I didn’t buy the stupid thing to generate more work for me), I’ve become a confident enough quilter to know how to fix those kinds of problems when piecing.

Inspired by this gorgeous quilt by Sarah at coopcrafts* I combined the saltwater triangles with a variety of white-on-white fabrics, so even though the overall effect from afar is plain white, up close you can see the different patterns. Cutting the entire quilt top took maybe an hour or two, and piecing it was a complete breeze, since the die eliminates dog ears and there’s no need to mark anything.

Chain piecing action shot

Chain piecing action shot

Schnitzel helped.

Schnitzel helped.

You don’t really need these right now, do you?

After I started cutting into the set I realized that I had an unequal number of FQs in each of the three colourways, which meant I had to be creative when laying out the quilt and which I think I managed.


For the back, I loosely followed Elizabeth Hartman’s Mod Mosaic tutorial to create a long strip made from the leftover scraps.

I love this fabric line unreasonably much.

I love this fabric line unreasonably much.

After I made a strip the width of the quilt I edged it with some Saltwater strips from yardage I had purchased on other occasions (truth: this is the only Tula Pink fabric line that I actually like. I find the others super-intricate, but equally creepy. Elizabeth? EEP), and then finished off the back with some more white-on-white fabric pieces.

That's a very subtle light-blue thread.

It took longer to make the scrappy strip than it did the entire quilt top.

Saltwater quilt back

I used straight-line quilting to outline each square with matching thread and used a new-to-me thread, Mettler, which I was really pleased with. Unfortunately, this kind of quilting leaves ton of threads to bury, which normally I would bury as I go, except that I’m a dumbass and cut a super-hot chili with bare fingers the morning I started quilting, and my hands were ON FIRE for well over twelve hours, making it impossible to do anything more precise than shoving the quilt in and out of my machine. You’ll be pleased to know that dipping my hands in a vat of after sun and aloe vera made the pain go away a few minutes before midnight. Anyway.


That’s very light blue thread on the right.

For the binding I used a method I came across on Instagram and had tried on a baby quilt a couple of weeks before, and you guys, I am NEVER going back to old-school binding. I’m not joking—the no-tails method is much easier, much more conducive to scrappy bindings because you don’t need to make a super-long continuous binding strip, and gives PERFECT corners. Recently, while flipping through Sunday Morning Quilts, I saw that this method is actually in the book and I think I must have dismissed it on my first read because it seemed too complicated (it so isn’t). I also decided to go a bit thinner on my binding for this quilt, cutting it 2.25″ wide instead of 2.5″, and the quality and fullness of the binding is spectacular by comparison. I may even go down to 2″ for my next quilt.

Can I help you bind, mom? I'm sure licking your hand for an hour will help get this done in no time.

Can I help you bind, mom? I’m sure licking your hand for an hour will help get this done in no time.

I used the blue/white octopus fabric as my main binding fabric, and each side of the quilt got a small scrap of one of the other colours to punch it up a bit.

Pop of colour in the binding

Although I finished the quilt top about a year ago, I didn’t get back to it until the end of the summer, when I decided to try to enter it into the Erding Patchwork Messe, where I exhibited a couple of quilts last March, too. I worked like a fiend for only to find out that they wouldn’t accept a late submission, so it’ll have to wait for the next one.

* If you aren’t following Sarah, do yourself a favour and do. Her HST quilts are a thing of beauty.